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A Whirlwind Tour of Okla Homma

A Whirlwind Tour of Okla Homma

New Directions: An Insider’s Look at Native American Collections SAR President's Circle members embarked on a five-day tour of Oklahoma and Arkansas in mid-October. Okla Homma, which means “red people” in Chickasaw and Choctaw, is home to thirty-nine tribes, including...

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Reflections on Grounded in Clay Opening Weekend

It is mid-morning Friday in Santa Fe: sun blaring and the air is thin, I often think that we are so close to the sky that maybe I could touch the clouds myself. At the Museum of Indian Arts and Culture (MIAC), white tents are erected in the courtyard, awaiting people...

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Introducing 2022-2023 Anne Ray Intern Penske McCormack

Introducing 2022-2023 Anne Ray Intern Penske McCormack

Hello all! I am Penske McCormack (they/them), and I am one of the two Anne Ray Interns at SAR's Indian Arts Research Center for 2022-2023. I am very excited to introduce myself to the SAR community! Raised in Georgia, I earned my AB in art history from the University...

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Introducing 2022-2023 Anne Ray Intern Wayne Nez Gaussoin

Introducing 2022-2023 Anne Ray Intern Wayne Nez Gaussoin

Hi! I am Wayne Nez Gaussoin (Picuris/Diné/French descent), and I'm one of the 2022-2023 Anne Ray Interns at the Indian Arts Research Center (IARC). I have a background as a professional artist with over twenty years of experience. I received a Masters of Fine Arts...

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SAR Members Tour Chaco Canyon and Related Sites

SAR Members Tour Chaco Canyon and Related Sites

Chaco Canyon and the so-called "Chaco Phenomenon" have long evoked intense interest among SAR members. Our more-or-less annual tradition of Chaco field trips continued in mid-August, when fourteen members and SAR staff spent three days visiting Chaco, Salmon Ruins,...

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Celebrating 100 Years of Santa Fe’s Indian Market

Celebrating 100 Years of Santa Fe’s Indian Market

The School for American Research (SAR) started the Santa Fe Indian Market one hundred years ago this September. SAR’s first director, Edgar Lee Hewett, spearheaded the effort and printed a statement in the Santa Fe New Mexican on June 27, 1922.  He wrote, “The objects of the exhibition are the encouragement of Native arts; to revive old arts, and to keep the arts of each tribe and pueblo as distinct as possible; the establishment and locating of markets for all Indian products; the securing of reasonable prices; authenticity of all handicraft offered for sale.” The first of its kind, the Southwest Indian Fair featured artists across seven states, and included Julian and Maria Martinez, the celebrated potters of San Ildefonso Pueblo, who won a substantial monetary prize for their work.

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