Over the last few weeks, SAR Indian Arts Research Center staff members have spent some time reflecting on their favorite pieces from the collection. Here is one of the pieces that was selected by IARC collections assistant Molly Winslow.
Northern Chumash artist Leah Mata Fragua wants her art to make you stop and think about how the world is changing around you—for better or worse.
Paper. Spray paint. Yucca fibers. Hip-hop. Pick your medium, and there is a decent chance that IARC 2019 Ronald and Susan Dubin Native artist fellow Ian Kuali’i has at least dabbled in it.
Face masks are now required in many public spaces around the country. “These are things we never thought would become a fashion necessity,” says Dorothy Grant (Haida), one of two recent SAR fellows who are uniquely positioned to help fulfill our new need for face coverings.
SAR Announces 2019-2020 Native American Artist Fellows: Mikayla Patton, Venancio Aragon, and Neebinnaukzhik Southall.
In 1977 Doug Schwartz, who was then the president of SAR, hired Art Wolf to be the curator of collections. Wolf’s task was to oversee the building of the facility that would become the IARC, which now stewards a collection of nearly 12,000 artworks.
For Felicia Garcia, SAR’s new curator of education at the Indian Arts Research Center (IARC), one of the most exciting reasons to be at SAR is a proven dedication to community that drives much of the work at the IARC. We spoke with Felicia about what makes the IARC unique, the importance of land acknowledgement practices, and how the education department fits within the organization. Listen to the full interview and explore highlighted excerpts.
SAR is proud to present a series of conversation-style presentations exploring today’s world of cultural preservation. This year’s IARC speaker series takes us on a journey beyond the Pueblo communities within which we are situated, to shed light on the many remarkable ways indigenous-based cultural preservation is happening nationally.
Two decades ago, with a vision of a space for artists that would elicit feelings of warmth and personality, SAR commissioned a new artist studio. The Native American artist fellowship program—then in its fourth year—needed a space more conducive to artistic creativity. The Dubin Studio was built adjacent to the Indian Arts Research Center (IARC) through the generosity of Ronald and Susan Dubin. Learn more about SAR’s two most recent contemporary Native American artist fellows and the Dubin Studio’s continued legacy of supporting artists through the open working space.
