Growing up in the middle of Alaska, there was a window to another world on the wall of my living room. It was like no place I’d ever seen. There was a church that seemed to be made of clay pinched together by someone’s fingers. And there was a woman with a flared skirt, shawl, and scarf over her head. No one dressed like that in Alaska. I enjoyed stepping back to where it appeared to be a photograph or passage to another land and then move slowly forward to find just that point when the optical illusion fell away and I could see the leaves, the moss, the bark.
We invite you to take a virtual tour of El Delirio. Learn about the origins of the buildings and the historical significance of the sprawling estate that is now SAR’s campus. Join your guide, SAR scholar-in-residence Nancy Owen Lewis, for a delightful online tour complete with archival and contemporary visuals from SAR’s collections.
With the nation’s social and political turmoil as well as an ongoing pandemic, 2020 revealed how now more than ever the perspectives of social science scholars and Native American artists matter. In today’s post, we reflect on the last year and invite you to join us for online programs in the new year.
In 1977 Doug Schwartz, who was then the president of SAR, hired Art Wolf to be the curator of collections. Wolf’s task was to oversee the building of the facility that would become the IARC, which now stewards a collection of nearly 12,000 artworks.
Although we now use the Dobkin Boardroom for lectures, meetings, and social gatherings, it still includes the original “choir loft” at one end, and this loft hides a curiosity.
Elizabeth and Martha White established Rathmullan Kennels in 1930, when they decided to start raising Irish wolfhounds and bought a breeding pair: Gelert and Edain of Ambleside.