SAR Announces the 2021 resident scholar colloquium series. From a presentation on race-making in Albania to an exploration of Indigenous perspectives on the WWII Manhattan Project, scholar colloquia are a unique opportunity to hear about each of the 2021 resident scholar projects from the researchers themselves.
Our scholars use their fellowship year to hone writing skills while finishing their diverse research projects. It is no surprise, then, that after leaving SAR many of our alumni manage to publish books and articles that move past the boundaries of academic writing to catch the attention of a national readership.
Mexican American people have long been made to question their belonging to the American social fabric and polity, argue Phillip Gonzales, Renato Rosaldo, and Mary Louise Pratt. Citizenship, both political and cultural, provides one lens on this question of belonging, and our latest Advanced Seminar volume discusses the relationship between Latinx experience and citizenship in the United States from a variety of specific perspectives.
Over the course of her Anne Ray internship, Emily Santhanam dove deep into the collections, approaching the objects through registration, collections management, education, and curation work. Each project taught her to navigate Native American arts stewardship in a new way. Yet what she most enjoyed was creating an online exhibition about the bolo ties cared for by the IARC.
The School for Advanced Research in Santa Fe, New Mexico, is pleased to welcome six new board members: John Arroyo, Brenda J. Child, Estevan Rael-Gálvez, Steve Robinson, Don Siegel, and David A. Young.
SAR’s 2021 Ronald and Susan Dubin Native artist fellow, Lehuauakea is a Kanaka Maoli (Native Hawaiian) interdisciplinary artist. Originally from Pāpa’ikou on Moku O Keawe, Hawai’i, Lehuauakea creates traditional kapa (wauke bark cloth), which is painted or hand-stamped with patterns made from natural earth pigments and plant dyes.
It’s easy to identify heartbreak in the past year and a half. The COVID-19 pandemic has challenged our world, upending the lives of individuals, families, and entire nations. Locating hope amid loss—creativity in chaos—takes a special form of attention.
SAR Press has started a new blog series comprised of interviews with diverse scholars who have recently published or are in the midst of publishing their first book and who can offer guidance and encouragement to colleagues who are just starting to think about publishing. We hope that these interviews make a small contribution to supporting junior scholars as they begin the publishing process.
Archaeologists have been paying attention to place for many years. As they have studied vernacular architecture, among other important markers of the past, they have recognized the importance and meaning given to specific places by peoples around the world. Chaco Canyon in northwestern New Mexico has been one such place for hundreds of years.
This winter, IARC collections staff and interns, journeyed to Oklahoma to share with community members one of the most storied textiles in the IARC collection – the Chief White Antelope Blanket (CWAB). The Annual Gathering of the Sand Creek Descendants, held in Apache, Oklahoma, brought out between 200 and 300 people for dancing, food, and to pay tribute to the blanket. For some attendees, it was their first time to see this historic blanket. Learn more about this important piece and the continued collaborative collections-care approach taken by the IARC staff for this textile.
“We were honored to bring the blanket back to be a part of this important gathering,” says IARC collections manager, Lisa Barerra. “Since the mid-1990s,” she adds, “the IARC at SAR has worked closely with the Sand Creek Massacre Descendants Trust (SCMDT) regarding care and access to the blanket, including an agreement to bring the blanket for the gathering every two years. However, the last time the CWAB went back was actually in December 2014. While the CWAB is currently not on display (at the request of the SCMDT), an approved photograph of the blanket is available for viewing at IARC.” The photograph can be viewed during an IARC collections tour and requests to view the actual blanket require written permission from the SCMDT to do so. Reflecting on the trip and the collaborative efforts happening at the IARC, Harerra notes, “We look forward to continuing to work together with the SCMDT in the future!”