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A Part of the Flow: IARC Native Artist Fellow Mateo Romero

Mateo Romero is interested in motion—bodies and ideas moving through space, history, ceremony, art. Romero describes his work as juxtaposing “timeless, archaic elements of Pueblo culture” with “contemporary abstract expressionist palette knife and brush work.” In 2002 he came to SAR’s Indian Arts Research Center (IARC) as the Ronald and Susan Dubin Native artist fellow.

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SAR Curated. The Florentine Codex

To search the archives for information about SAR’s groundbreaking English translation of Bernardino de Sahagún’s Florentine Codex, co-published with University of Utah Press beginning in the 1950s, is to experience time in the form of paper.

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Sharing Knowledge and Collaborative Curation: Native Women Artists Featured in New MIA Exhibit

“It may ruffle feathers, but diversity means there’s a different way of doing things. If you want buy-in from the Native communities, you have to listen to them.” —Teri Greeves, SAR’s 2003 Eric and Barbara Dobkin Native artist fellow, quoted in a recent New York Times article exploring the current Minneapolis Institute of Art exhibit, Hearts of Our People: Native Women Artists.

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Unlocking Clues to Life in the Middle San Juan Pueblos

Ruined great houses, corn kernels and bones—these are just some of the archeological fragments that have offered researchers new insights into how Middle San Juan Puebloan peoples lived in the 12th and 13th centuries. Featured earlier this year in the Santa Fe New Mexican’s Pasatiempo, the book Aztec, Salmon, and the Puebloan Heartland of the Middle San Juan covers these topics and more as eleven contributing writers examine new evidence that helps shed light on the settlements.

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