In a world where conversations are becoming more polarized, how do we find common ground? Regardless of where you stand, we face a crisis around the issue of public dialogue. “SAR is a unique place in that it allows intellectualism to breathe. We’re trying to build a society where complex ideas can be discussed and exchanged. Complex issues need creativity to percolate in order to be solved in our fast-paced world.” — Adriana M. Manago, co-chair of The Psychology of Patriarchy advanced seminar. Learn more about the 2015 seminar and the subsequent 2019 SAR Press publication.
Since 1968, SAR’s seminar programs have given time and space to groups of scholars working together to push intellectual and academic boundaries. This year, SAR received a bequest to fund improvements to the Schwartz Seminar House where we host our advanced, short, and research team seminars. Learn more about the life of Pat Kuhlhoff and the programs her generous gift supports.
Two decades ago, with a vision of a space for artists that would elicit feelings of warmth and personality, SAR commissioned a new artist studio. The Native American artist fellowship program—then in its fourth year—needed a space more conducive to artistic creativity. The Dubin Studio was built adjacent to the Indian Arts Research Center (IARC) through the generosity of Ronald and Susan Dubin. Learn more about SAR’s two most recent contemporary Native American artist fellows and the Dubin Studio’s continued legacy of supporting artists through the open working space.
Erin Monique Grant, SAR’s 2019 Anne Ray Intern, reports on the 12th Annual International Conference of Indigenous Archives, Libraries, and Museums hosted in Temecula, California. Grant shares her experiences and reflects on the events that included a keynote address by US poet laureate Joy Harjo (Muscogee Creek Nation).
The School for Advanced Research (SAR) is pleased to announce the publication of the Guidelines for Collaboration, theoretical and practical guides to building successful collaborations between Indigenous communities, museums, and other collecting institutions. The Guidelines are the product of several years of critical discourse between over sixty Native and non-Native museum professionals, cultural leaders, artists, and scholars experienced in collaborative work in various institutions in the United States, Canada, and New Zealand. Available only in limited release until now, the Guidelines are already being used by internationally recognized institutions including Chicago’s Field Museum and University of California–Los Angeles (UCLA) in collaboration with the Getty Conservation Institute.
SAR Senior Scholar Dean Falk Featured in Nature on Australopithecus Africanus: The Man-Ape of South Africa
SAR senior scholar Dean Falk has contributed a piece to the journal Nature on South African physical anthropologist and paleontologist Raymond Dart.
Parts of the IARC’s extensive collection of Southwestern Native art are now accessible through SAR’s eMuseum, which Day was instrumental in creating. As we talked, she told me about the collections review process that contributed to the development of eMuseum.
A member of the Mississippi Band of Choctaw Indians and also of Cherokee descent, Jeffrey Gibson was SAR’s 2008 Ronald and Susan Dubin Native artist fellow and is now a MacArthur fellow, the winner of one of the “genius” grants given annually by the MacArthur Foundation.
Listen to the Introductory Presentations by SAR’s 2019 Resident Scholars, Interns, and King Native Artist Fellow
SAR Announces 2019-2020 Resident Scholars: C.J. Alvarez, Patricia Crown, Rashmi Sadana, Fátima Suárez, and Davina Two Bears.
As a young Native scholar I’d studied Native activism and Red Power and got involved in activism; one of the names that stood out in the back of my mind, the person I’d always wanted to know more about, was Richard Oakes.