Museums are evolving. In a cultural moment in which institutions are called toward self-reflection, inclusivity, and accountability, the question remains: what does collaboration mean for museum and community, institution and individual? How can ethical action drive our work?
When Ortiz-Concha talks about his relationship with clay, he conveys a clear sense of reverence and respect. He sees the act of gathering clay and forming vessels as a moment of intervention in millions of years of geological processes, something not to be taken lightly.
New to membership in 2021 and seeking opportunities to better understand the Native American history and culture of this New Mexican land we now call home, we joined two fall SAR field trips: The Archaeology of Arroyo Hondo and Tewa Pathways from Tsankawi to Pojoaque.
Drought is now a way of life. As a result, argue Patty Limerick and C. J. Alvarez in their recent Washington Post article, people throughout the United States need to start listening to desert dwellers, “the Indigenous people and others who settled in deserts for generations and who view aridity, not moisture, as ‘normal.’”
The Diné are resilient people and know how to adapt to hardship. Before Euro-American contact, the Diné wore deerskin clothing. As Spanish, Mexican, and American settlers came to Navajo land and introduced new materials, Diné art and culture evolved.
Our scholars use their fellowship year to hone writing skills while finishing their diverse research projects. It is no surprise, then, that after leaving SAR many of our alumni manage to publish books and articles that move past the boundaries of academic writing to catch the attention of a national readership.
Over the course of her Anne Ray internship, Emily Santhanam dove deep into the collections, approaching the objects through registration, collections management, education, and curation work. Each project taught her to navigate Native American arts stewardship in a new way. Yet what she most enjoyed was creating an online exhibition about the bolo ties cared for by the IARC.
SAR’s 2021 Ronald and Susan Dubin Native artist fellow, Lehuauakea is a Kanaka Maoli (Native Hawaiian) interdisciplinary artist. Originally from Pāpa’ikou on Moku O Keawe, Hawai’i, Lehuauakea creates traditional kapa (wauke bark cloth), which is painted or hand-stamped with patterns made from natural earth pigments and plant dyes.
It’s easy to identify heartbreak in the past year and a half. The COVID-19 pandemic has challenged our world, upending the lives of individuals, families, and entire nations. Locating hope amid loss—creativity in chaos—takes a special form of attention.