Women in archaeology have come a long way. They now comprise half of all archaeologists in North America and have surpassed men in the number of archaeology PhDs awarded. They work as the heads of university departments, leaders of field schools, and senior scholars in research institutions. Yet when Linda Cordell (1943–2013) emerged into the field, the landscape was very different.
“Brazil has been a part of my life for about twenty years at this point,” says Professor Benjamin Junge, one of two 2021–2022 Weatherhead fellows now in residence at SAR. “It’s a huge country,” he adds, “incredibly diverse. There’s just so much to learn and to understand, and I’ll be doing that forever, for the rest of my life.”
The Diné are resilient people and know how to adapt to hardship. Before Euro-American contact, the Diné wore deerskin clothing. As Spanish, Mexican, and American settlers came to Navajo land and introduced new materials, Diné art and culture evolved.
Our scholars use their fellowship year to hone writing skills while finishing their diverse research projects. It is no surprise, then, that after leaving SAR many of our alumni manage to publish books and articles that move past the boundaries of academic writing to catch the attention of a national readership.
Mexican American people have long been made to question their belonging to the American social fabric and polity, argue Phillip Gonzales, Renato Rosaldo, and Mary Louise Pratt. Citizenship, both political and cultural, provides one lens on this question of belonging, and our latest Advanced Seminar volume discusses the relationship between Latinx experience and citizenship in the United States from a variety of specific perspectives.
Over the course of her Anne Ray internship, Emily Santhanam dove deep into the collections, approaching the objects through registration, collections management, education, and curation work. Each project taught her to navigate Native American arts stewardship in a new way. Yet what she most enjoyed was creating an online exhibition about the bolo ties cared for by the IARC.
SAR’s 2021 Ronald and Susan Dubin Native artist fellow, Lehuauakea is a Kanaka Maoli (Native Hawaiian) interdisciplinary artist. Originally from Pāpa’ikou on Moku O Keawe, Hawai’i, Lehuauakea creates traditional kapa (wauke bark cloth), which is painted or hand-stamped with patterns made from natural earth pigments and plant dyes.
It’s easy to identify heartbreak in the past year and a half. The COVID-19 pandemic has challenged our world, upending the lives of individuals, families, and entire nations. Locating hope amid loss—creativity in chaos—takes a special form of attention.
SAR Press has started a new blog series comprised of interviews with diverse scholars who have recently published or are in the midst of publishing their first book and who can offer guidance and encouragement to colleagues who are just starting to think about publishing. We hope that these interviews make a small contribution to supporting junior scholars as they begin the publishing process.
Archaeologists have been paying attention to place for many years. As they have studied vernacular architecture, among other important markers of the past, they have recognized the importance and meaning given to specific places by peoples around the world. Chaco Canyon in northwestern New Mexico has been one such place for hundreds of years.
