As a young Native scholar I’d studied Native activism and Red Power and got involved in activism; one of the names that stood out in the back of my mind, the person I’d always wanted to know more about, was Richard Oakes.
“Aging in place” is a common phrase meaning that older people prefer to age (most frequently through the end of their lives) in their homes, in spaces that represent their lives, and ideally close to family and friends. This white paper is the result of a salon held at the School for Advanced Research (SAR) that took place on June 6, 2019, in Santa Fe, New Mexico, which was generously sponsored by the Ethel-Jane Westfeldt Bunting Foundation.
Printmaker and painter Jordan Ann Craig has turned to a new outlet for her creativity: lingerie. Her new company, Shy Natives, founded with her sister Madison Craig, has such compelling, fresh designs, it was recently featured in Vogueworld, a daily online news site of Vogue Magazine.
After Deborah Boehm finished her book Returned: Going and Coming in an Age of Deportation, which she partially wrote as an SAR Research Associate in 2013, she knew she needed to do more. During her research, she had formed deep relationships with immigrant families impacted by deportation. “Many of those I had interviewed had been also been detained, and their stories were so harrowing,” she says. “Their lives had been unraveled by state action.”
SAR board member and eminent archaeologist, Jerry Sabloff has devoted considerable effort to the study of settlement patterns in Mexico and Central America—the when, where and how non-elite Maya people lived and worked. Sabloff discusses his discoveries in a Q&A interview in the 2019 issue of Knowable Magazine and presents on the topic in this fall’s SAR In-Depth course.
At the heart of her research, SAR senior scholar Dean Falk asks, “What can fossils, babies, and Einstein tell us about the way our brains have evolved?” Falk addressed this question and more during a tour of lectures and interviews across western Australia this summer, where, on the Australian Broadcasting Corporation (ABC) Radio program “Late Night Live”, she touches upon evolution and language, the uniqueness of Einstein’s brain, and “hobbits”, or the newly discovered (and short) human species, Homo floresiensis.
Mateo Romero is interested in motion—bodies and ideas moving through space, history, ceremony, art. Romero describes his work as juxtaposing “timeless, archaic elements of Pueblo culture” with “contemporary abstract expressionist palette knife and brush work.” In 2002 he came to SAR’s Indian Arts Research Center (IARC) as the Ronald and Susan Dubin Native artist fellow.
“It may ruffle feathers, but diversity means there’s a different way of doing things. If you want buy-in from the Native communities, you have to listen to them.” —Teri Greeves, SAR’s 2003 Eric and Barbara Dobkin Native artist fellow, quoted in a recent New York Times article exploring the current Minneapolis Institute of Art exhibit, Hearts of Our People: Native Women Artists.
Ruined great houses, corn kernels and bones—these are just some of the archeological fragments that have offered researchers new insights into how Middle San Juan Puebloan peoples lived in the 12th and 13th centuries. Featured earlier this year in the Santa Fe New Mexican’s Pasatiempo, the book Aztec, Salmon, and the Puebloan Heartland of the Middle San Juan covers these topics and more as eleven contributing writers examine new evidence that helps shed light on the settlements.