The School for Advanced Research (SAR) is pleased to announce our new initiative, SAR Learns! Out of a desire to support intergenerational learning and creativity during the pandemic, SAR Learns! will assist with knowledge transmission specifically within the context of the ongoing pandemic. The program will distribute $50,000, utilizing re-directed grant funds, that will enable sixteen artists to launch or complete a variety of proposed projects.
SAR Press is starting a new blog series comprised of interviews with diverse scholars who have recently published or are in the midst of publishing their first book and who can offer guidance and encouragement to colleagues who are just starting to think about publishing. We hope that these interviews make a small contribution to supporting junior scholars as they begin the publishing process.
Every year SAR publishes its Annual Report, which describes accomplishments and acknowledges supporters over the previous fiscal year. Our 2019–2020 report is no different, and yet so much has changed, as President Michael F. Brown explains.
Last week, we lost two members of our SAR family. On Sunday, February 14, Art Wolf, the first curator of collections for the Indian Arts Research Center passed away. Just a few days later, 2006 Eric and Barbara Dobkin Native artist fellow Christine McHorse also began her journey into the next world. Read more about their work and legacies.
In a conversation with SAR’s director of communications and public programs, Ruth Van Dyke describes how the Ancestral Puebloan builders in Chaco Canyon tried to create a “sense of place that emphasized Chaco as the center. Chaco was the fulcrum, and you can see this on the landscape.”
John Arroyo, SAR’s 2018–2019 Mellon fellow, grew up in a largely Mexican and Mexican American community in East LA. Even as a kid, he was thinking about urban issues and the diversity and future of communities like his. He is now a planner who incorporates a humanistic perspective into his work, which allows him to make connections between urban issues, art, and the social sciences.
In November 1981, anthropologists and tribal representatives gathered on the Pascua Pueblo Yaqui Reservation in southern Arizona for the 89th International Symposium, hosted by the Wenner-Gren Foundation. Although this obscure conference may have been relegated to a footnote in the history of anthropology and the Pascua Yaqui Tribe, Nicholas Barron, SAR’s 2020 William Y. and Nettie K. Adams summer scholar, argues that its story helps us to better understand consequential, ongoing political processes and Indigenous histories.
To celebrate the publication of SAR Press’s most recent Advanced Seminar volume, Archaeologies of Empire (2020), we have brought together editors of this book and our previously published Imperial Formations (2007) to discuss new insights and intersections in their work.
SAR Press is starting a new blog series comprised of interviews with scholars of color, first-generation scholars, and other scholars from marginalized communities who have recently published or are in the midst of publishing their first book and who can offer guidance and encouragement to colleagues who are just starting to think about publishing. We hope that these interviews make a small contribution to supporting junior scholars as they begin the publishing process.
Alex Blanchette was SAR’s 2012–2013 Weatherhead resident scholar, co-organizer of the 2016 Advanced Seminar “How Nature Works,” and co-editor of How Nature Works: Rethinking Labor on a Troubled Planet, published by SAR Press in 2019. SAR recently spoke with him about his new book and the effects of COVID-19 on the meatpacking industry.