Guidelines in Action: Museum of Indian Arts and Culture and Jicarilla Apache Baskets
Sophie Hunter, the former Samuel H. Kress fellow with the Museums of New Mexico conservation unit, shares how the IARC Guidelines for Collaboration helped develop a conservation plan for a large collection of Jicarilla Apache pitch-coated baskets at the Museum of Indian Arts and Culture in Santa Fe, New Mexico.
Ian Kuali’i on Ephemeral Site-Specific Installations and Hand-Cut Paper Works
2019 Ronald and Susan Dubin Native Artist Fellow, Ian Kuali’i takes the stage on August 8, 2019, in SAR’s Eric S. Dobkin Boardroom to share about his fellowship experience. Through hand-cut paper works and ephemeral Land Art/Earth Works installations, Kuali’i bridges contemporary and traditional techniques and designs while addressing themes related to his own history and identity, as well as what he expresses as “intertwined system of bio-cultural landscape and modernization”
Exploring the Cultural and Environmental History of Mining in Michigan and New Mexico
SAR senior scholar, Carol MacLennan, has focused her research on mining policy in the US and is currently completing her manuscript, Laid to Waste: Lessons from 100 Years of Mining, which explores the ongoing cultural and environmental impact of copper mining in New Mexico and Michigan.
Guidelines in Action: Chicago’s Field Museum Improves Community Visits
See how the internationally-recognized Field Museum is implementing the Guidelines for Collaboration in their work. Guest post by Jamie Kelly, Head of Anthropology Collections & Collections Manager at the Field Museum’s Gantz Family Collections Center and Jamie Lewis, Anthropology Collections Manager at the Field Museum’s Gantz Family Collections Center.
Sharing Knowledge and Collaborative Curation: Native Women Artists Featured in New MIA Exhibit
“It may ruffle feathers, but diversity means there’s a different way of doing things. If you want buy-in from the Native communities, you have to listen to them.” —Teri Greeves, SAR’s 2003 Eric and Barbara Dobkin Native artist fellow, quoted in a recent New York Times article exploring the current Minneapolis Institute of Art exhibit, Hearts of Our People: Native Women Artists.
Unlocking Clues to Life in the Middle San Juan Pueblos
Ruined great houses, corn kernels and bones—these are just some of the archeological fragments that have offered researchers new insights into how Middle San Juan Puebloan peoples lived in the 12th and 13th centuries. Featured earlier this year in the Santa Fe New Mexican’s Pasatiempo, the book Aztec, Salmon, and the Puebloan Heartland of the Middle San Juan covers these topics and more as eleven contributing writers examine new evidence that helps shed light on the settlements.
Bringing Native American Voices into Exhibition Development
2016-2017 Anne Ray intern, Nina Sanders, shares her reflections on an ongoing collaboration with the Field Museum in Chicago.
Crooked Hallelujah Receives National Book Awards
Kelli Jo Ford, SAR’s 2016 Indigenous writer in residence’s Crooked Hallelujah will be published by Grove Atlantic in 2020, and one of the stories received the 2019 Plimpton Prize for Fiction from the Paris Review. Read more about Ford’s project and time at SAR.
Guidelines in Action: UCLA/Getty Conservation Program
Ellen Pearlstein, Professor of Information Studies at the UCLA/Getty Program in the Conservation of Archaeological and Ethnographic Materials shares how the IARC Guidelines for Collaboration is helping shape her students’ understanding of working with source communities and Native American collections.