“It may ruffle feathers, but diversity means there’s a different way of doing things. If you want buy-in from the Native communities, you have to listen to them.” —Teri Greeves, SAR’s 2003 Eric and Barbara Dobkin Native artist fellow, quoted in a recent New York Times article exploring the current Minneapolis Institute of Art exhibit, Hearts of Our People: Native Women Artists.
Ruined great houses, corn kernels and bones—these are just some of the archeological fragments that have offered researchers new insights into how Middle San Juan Puebloan peoples lived in the 12th and 13th centuries. Featured earlier this year in the Santa Fe New Mexican’s Pasatiempo, the book Aztec, Salmon, and the Puebloan Heartland of the Middle San Juan covers these topics and more as eleven contributing writers examine new evidence that helps shed light on the settlements.
2016-2017 Anne Ray intern, Nina Sanders, shares her reflections on an ongoing collaboration with the Field Museum in Chicago.
This week, the Washington nonprofit, Artist Trust, announced Casandra Lopez, SAR’s 2013 Indigenous Writer-in-Residence, as the recipient of the 2018 James W. Ray Venture Project award. Given to two individuals annually, the award honors creatives who the Trust believes demonstrate exceptional originality.
Gordon Lee Johnson writes primarily to tell the stories of today’s California Indian, but he is also interested in addressing the universal human condition. Johnson was SAR’s 2017 Indigenous Writer-in-Residence and was recently featured in a Los Angeles Times article on California Native American artists and the struggle to preserve their culture in the modern world.
