Parts of the IARC’s extensive collection of Southwestern Native art are now accessible through SAR’s eMuseum, which Day was instrumental in creating. As we talked, she told me about the collections review process that contributed to the development of eMuseum.
A member of the Mississippi Band of Choctaw Indians and also of Cherokee descent, Jeffrey Gibson was SAR’s 2008 Ronald and Susan Dubin Native artist fellow and is now a MacArthur fellow, the winner of one of the “genius” grants given annually by the MacArthur Foundation.
Listen to the Introductory Presentations by SAR’s 2019 Resident Scholars, Interns, and King Native Artist Fellow
SAR Announces 2019-2020 Resident Scholars: C.J. Alvarez, Patricia Crown, Rashmi Sadana, Fátima Suárez, and Davina Two Bears.
As a young Native scholar I’d studied Native activism and Red Power and got involved in activism; one of the names that stood out in the back of my mind, the person I’d always wanted to know more about, was Richard Oakes.
“Aging in place” is a common phrase meaning that older people prefer to age (most frequently through the end of their lives) in their homes, in spaces that represent their lives, and ideally close to family and friends. This white paper is the result of a salon held at the School for Advanced Research (SAR) that took place on June 6, 2019, in Santa Fe, New Mexico, which was generously sponsored by the Ethel-Jane Westfeldt Bunting Foundation.
With his family and community, SAR mourns the passing of William Y. Adams, who died on August 22, 2019, in Lexington, Kentucky, at the age of ninety-two.
The School for Advanced Research (SAR) is pleased to announce the appointment of Elysia Poon as the new director of SAR’s Indian Arts Research Center (IARC). With over a decade of experience within the organization as the IARC curator of education and nearly twenty years of museum experience, Poon has demonstrated a commitment to collaborative programming and a dedication to community-based collections care. Under her leadership, the IARC will continue to advance national conversations around how collecting institutions and Native American communities can work together to foster cultural heritage and promote contemporary art practices.
Printmaker and painter Jordan Ann Craig has turned to a new outlet for her creativity: lingerie. Her new company, Shy Natives, founded with her sister Madison Craig, has such compelling, fresh designs, it was recently featured in Vogueworld, a daily online news site of Vogue Magazine.
After Deborah Boehm finished her book Returned: Going and Coming in an Age of Deportation, which she partially wrote as an SAR Research Associate in 2013, she knew she needed to do more. During her research, she had formed deep relationships with immigrant families impacted by deportation. “Many of those I had interviewed had been also been detained, and their stories were so harrowing,” she says. “Their lives had been unraveled by state action.”
In 1921 New Mexico senator Holm Bursum introduced a bill into Congress that would have allowed non-Native people to claim Pueblo Indian lands if they could prove ten years of residency. The Indigenous governors of the nineteen pueblos worked with John Collier, Indian rights advocate and FDR’s commissioner of Indian affairs, to send representatives to Congress who would voice their opposition to the Bursum Bill of 1921.