SAR Announces 2019-2020 Native American Artist Fellows: Mikayla Patton, Venancio Aragon, and Neebinnaukzhik Southall.
In addition to canceling, postponing, or livestreaming our in-person public programs until April 30, we have reluctantly decided to close the SAR campus to the public until further notice.
We understand that your mailboxes are flooded with messages about responses to Covid-19 and it can seem overwhelming. But now is a good time to reflect and find new ways to engage with one another. So we can’t engage in-person? Let’s connect from home. Here are several ways you can continue to be part of the SAR community from afar.
2020 J.I. Staley Prize Awarded to a Powerful Examination of Life, Death, and Care, among Inuit Communities.
Lisa Stevenson’s Life Beside Itself examines two historical moments among the Inuit of northern Canada: a tuberculosis epidemic in the mid-twentieth century and an epidemic of suicides among Inuit youth today. Through richly textured analysis, Stevenson shows how suicide prevention programs disregard what makes life worthwhile to Inuit people. Life Beside Itself deftly weaves together ethnography, archival voice recordings, and images to raise new questions about life, death, and care.
The School of Advanced Research, Center for Contemporary Arts Santa Fe (CCA), and SITE Santa Fe are proud to announce Beyond Borders, a new joint collaboration amongst the three Santa Fe institutions. Supporting Hostile Terrain 94, a participatory art project and exhibition scheduled to open at CCA on May 8, 2020, Beyond Borders presents a series of installations and events across the spring and summer of 2020 intended to call attention to the realities of global migration and US/Mexico border policy.
For Felicia Garcia, SAR’s new curator of education at the Indian Arts Research Center (IARC), one of the most exciting reasons to be at SAR is a proven dedication to community that drives much of the work at the IARC. We spoke with Felicia about what makes the IARC unique, the importance of land acknowledgement practices, and how the education department fits within the organization. Listen to the full interview and explore highlighted excerpts.
SAR is proud to present a series of conversation-style presentations exploring today’s world of cultural preservation. This year’s IARC speaker series takes us on a journey beyond the Pueblo communities within which we are situated, to shed light on the many remarkable ways indigenous-based cultural preservation is happening nationally.
The School for Advanced Research (SAR) is pleased to announce the next event in our third annual Creative Thought Forum Series. Archaeologist Ruth Van Dyke presents Chaco Landscapes: Sensory and Political Engagements with Place. In her talk she shares insights into past and present social, political, and sensorial relationships across the greater Chaco landscape. She explores how archaeologists can work together with Native peoples to influence the public understanding of contemporary economic/extractive projects, including those in northwest New Mexico.
In a world where conversations are becoming more polarized, how do we find common ground? Regardless of where you stand, we face a crisis around the issue of public dialogue. “SAR is a unique place in that it allows intellectualism to breathe. We’re trying to build a society where complex ideas can be discussed and exchanged. Complex issues need creativity to percolate in order to be solved in our fast-paced world.” — Adriana M. Manago, co-chair of The Psychology of Patriarchy advanced seminar. Learn more about the 2015 seminar and the subsequent 2019 SAR Press publication.
Since 1968, SAR’s seminar programs have given time and space to groups of scholars working together to push intellectual and academic boundaries. This year, SAR received a bequest to fund improvements to the Schwartz Seminar House where we host our advanced, short, and research team seminars. Learn more about the life of Pat Kuhlhoff and the programs her generous gift supports.
Two decades ago, with a vision of a space for artists that would elicit feelings of warmth and personality, SAR commissioned a new artist studio. The Native American artist fellowship program—then in its fourth year—needed a space more conducive to artistic creativity. The Dubin Studio was built adjacent to the Indian Arts Research Center (IARC) through the generosity of Ronald and Susan Dubin. Learn more about SAR’s two most recent contemporary Native American artist fellows and the Dubin Studio’s continued legacy of supporting artists through the open working space.