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Elysia Poon named Indian Arts Research Center Director

Elysia Poon named Indian Arts Research Center Director

The School for Advanced Research (SAR) is pleased to announce the appointment of Elysia Poon as the new director of SAR’s Indian Arts Research Center (IARC). With over a decade of experience within the organization as the IARC curator of education and nearly twenty years of museum experience, Poon has demonstrated a commitment to collaborative programming and a dedication to community-based collections care. Under her leadership, the IARC will continue to advance national conversations around how collecting institutions and Native American communities can work together to foster cultural heritage and promote contemporary art practices.

Understanding the U.S. Immigration Detention System – An Anthropologist’s Perspective

Understanding the U.S. Immigration Detention System – An Anthropologist’s Perspective

After Deborah Boehm finished her book Returned: Going and Coming in an Age of Deportation, which she partially wrote as an SAR Research Associate in 2013, she knew she needed to do more. During her research, she had formed deep relationships with immigrant families impacted by deportation. “Many of those I had interviewed had been also been detained, and their stories were so harrowing,” she says. “Their lives had been unraveled by state action.”

2019-2020 Creative Thought Forum Series Addresses the Future of Work

2019-2020 Creative Thought Forum Series Addresses the Future of Work

The School for Advanced Research is pleased to announce the third annual Creative Thought Forum series. Across lectures and conversation-style salons, SAR and community partners invite our members and the public to explore our understanding of where humanity is going in a new age of technological and cultural shifts under the thematic umbrella of “The Future of Work.”

John Nieto-Phillips and Thomas R. Conner Join SAR Board of Directors

John Nieto-Phillips and Thomas R. Conner Join SAR Board of Directors

The School for Advanced Research in Santa Fe, New Mexico, is pleased to welcome two new members to its board of directors: John Nieto-Phillips, Vice Provost for Diversity and Inclusion and Associate Professor of History and Latino Studies at Indiana University, Bloomington, and Thomas R. Conner, former trial attorney and founder of TIRR Foundation/Mission Connect, a nonprofit dedicated to improving the lives of those living with paralysis or traumatic brain injuries.

Redefining Ancient Maya Culture Through the Study of the 99 Percent

Redefining Ancient Maya Culture Through the Study of the 99 Percent

SAR board member and eminent archaeologist, Jerry Sabloff has devoted considerable effort to the study of settlement patterns in Mexico and Central America—the when, where and how non-elite Maya people lived and worked. Sabloff discusses his discoveries in a Q&A interview in the 2019 issue of Knowable Magazine and presents on the topic in this fall’s SAR In-Depth course.

Touring “Down Under” to Talk Hobbits, Einstein, and the Evolution of Language

Touring “Down Under” to Talk Hobbits, Einstein, and the Evolution of Language

At the heart of her research, SAR senior scholar Dean Falk asks, “What can fossils, babies, and Einstein tell us about the way our brains have evolved?” ​Falk addressed this question and more during a tour of lectures and interviews across western Australia this summer, where, on the Australian Broadcasting Corporation (ABC) Radio program “Late Night Live”, she touches upon evolution and language, the uniqueness of Einstein’s brain, and “hobbits”, or the newly discovered (and short) human species, Homo floresiensis.

Ian Kuali’i on Ephemeral Site-Specific Installations and Hand-Cut Paper Works

Ian Kuali’i on Ephemeral Site-Specific Installations and Hand-Cut Paper Works

2019 Ronald and Susan Dubin Native Artist Fellow, Ian Kuali’i takes the stage on August 8, 2019, in SAR’s Eric S. Dobkin Boardroom to share about his fellowship experience. Through  hand-cut paper works and ephemeral Land Art/Earth Works installations, Kuali’i bridges contemporary and traditional techniques and designs while addressing themes related to his own history and identity, as well as what he expresses as “intertwined system of bio-cultural landscape and modernization”

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