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Ever wonder what kind of equipment, materials, techniques, and space artists use to create their work? SAR’s new live series on Instagram takes you into the studio with leading Native artists to find out this and more.
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Jason De León, SAR’s 2013–2014 Weatherhead fellow and a 2017 MacArthur fellow, is a professor in the Departments of Anthropology and Chicana/o Studies at the University of California, Los Angeles, and director of the Undocumented Migration Project, a non-profit research-art-education-media collective. I recently spoke with him to learn more about his new exhibition: Hostile Terrain 94.
Over the last few weeks, SAR Indian Arts Research Center staff members have spent some time reflecting on their favorite pieces from the collection. Here is one of the pieces that was selected by IARC collections assistant Molly Winslow.
Northern Chumash artist Leah Mata Fragua wants her art to make you stop and think about how the world is changing around you—for better or worse.
Paper. Spray paint. Yucca fibers. Hip-hop. Pick your medium, and there is a decent chance that IARC 2019 Ronald and Susan Dubin Native artist fellow Ian Kuali’i has at least dabbled in it.
Face masks are now required in many public spaces around the country. “These are things we never thought would become a fashion necessity,” says Dorothy Grant (Haida), one of two recent SAR fellows who are uniquely positioned to help fulfill our new need for face coverings.
Almost every week brings an announcement related to the growth of open access in scholarly publishing: new studies, partnerships, and innovations. Over the past six months or so, I have begun my own experiment with open access at SAR Press and chosen one of our classic Advanced Seminar volumes to make openly available on the website: Elites, edited by George Marcus and published in 1983.